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Grazia Pulvirenti, Renata Gambino, The paradox of Romantic ekphrasis. Metacritic discourse, perception and imagination in art descripti
Ekphrasis is a text genre based on the intertwining of visual and verbal features, involving the processes of both reading, and priming a visual image or a related action. We argue in this study that...
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New NHS 2019 Program and Abstracts
NHS 2019 is now online!
Have a look to the NHS 2019 Program and Abstracts
Read information about this year Keynote Speakers
Participate in the Dialogue!
Summer School “Pathos. Forms and fortunes of literary emotions”, taking place on August 27-30th, 2019 in the amazing setting of Monopoli, Italy.
Plenary talks by Karin Kukkonen, Françoise Lavocat and Paolo Giovannetti.
We will work on emotions in different literary traditions through various perspectives and methods. Some of the topics and authors covered are: Elena Ferrante, Elsa Morante, sentimentalism, cognitive narratology, fact/fiction, and digital literary studies.
The Summer School is open to anybody interested in the topic, with credits available for graduate students.
Here is the full program: http://bit.ly/ENTbro
Registration is open until June, 30th: http://bit.ly/ent2019
NHS Directors in Naples
Wednesday 17 April 2019 at the University of Suor Orsola Benincasa (Naples) the NeuroHumanities Studies Directors, Grazia Pulvirenti and Renata Gambino, presented their new books “The Narrative Mind of Heinrich von Kleist” and “Stories. Minds. Worlds. A Neurohermeneutic approach to literature”.
6th NeuroHumanities Dialogue – Beauty and Embodiment in the Arts
Beauty and Embodiment in the Arts
NewHums Research Center – Neurocognitive and Humanities Studies
University of CataniaInternational NeuroHumanities Studies Network
6th NHS Dialogue 2019, 24th-25th May 2019
Catania, Benedictine Monastery, Machiavelli Theatre
On May 24th and 25th 2019, the interdepartmental research center NewHums – Neurocognitive and Humanities Studies – organises the sixth Neuro Humanities Dialogue with the title “Beauty and Embodiment in the Arts”. The aim of this year dialogue is to investigate the bound between works of art and our physical perception of them.
During recent years, the NewHums research center has promoted a prolific interdisciplinary discussion (in the form of yearly NHS Dialogues), engaging several international research groups on various topics, such as neuroaesthetics, metaphors, cognition and imagination. NewHums aimed at defining possible and new approaches to the study of the literary text and the work of art, process involving both humanities and science. The present Dialogue focuses on the analysis of multiple parameters in the aesthetic perception of a work of art, for instance, its subjective and objective qualities and the concept of beauty as primordial element in the relationship between mankind and artistic creation. In this frame, corporeity can be seen as a bridge between internal world and external output, human being and art, questioning the dynamics between the percipient subject and the perceived object. The interconnected response is the starting point of embodied cognition, id est, the epistemological foundation of the deep interweaving between humanities and cognitive sciences.
Knowledge is thought to be an embodied reality, strictly bound to mind and body simultaneously and the embodiment is the existential condition of the subject, as implication. The physiological and biological nature of the human body is then the premise for every form of subjectivity, consciousness, thought, expression, social interaction, time and aesthetic experience. The artistic product is the point of confluence of the human mind and the external world, body and beauty represent the Cartesian axes by means of which, the aesthetic experience moves.
Giovanna Cermelli’s review of “La Mente Narrativa di Heinrich von Kleist” by Renata Gambino and Grazia Pulvirenti
We thank professor Giovanna Cermelli for her review on the prestigious journal Osservatorio Critico della Germanistica.
You can download the full review at the following here
Stefano Ballerio’s Review of Gambino, Renata and Grazia Pulvirenti.Storie menti mondi. Approccio neuroermeneutico alla letteratura. Mimesis, 2018.
The recent study of Renata Gambino and Grazia Pulvirenti on the Neurohermenutics approach to literature (Storie menti mondi) was reviewed from professor Stefano Ballerio on the prestigious international journal Enthymema.
NHS 2019 (coming soon)
Beauty and Embodiment in the Arts
NewHums Research Center – Neurocognitive and Humanities Studies
University of CataniaInternational NeuroHumanities Studies Network
6th NHS Dialogue 2019, 24th-25th May 2019
Catania, Benedictine Monastery, Machiavelli Theatre
On May 24th and 25th 2019, the interdepartmental research center NewHums – Neurocognitive and Humanities Studies – organises the sixth Neuro Humanities Dialogue with the title “Beauty and Embodiment in the Arts”. The aim of this year dialogue is to investigate the bound between works of art and our physical perception of them.
During recent years, the NewHums research center has promoted a prolific interdisciplinary discussion (in the form of yearly NHS Dialogues), engaging several international research groups on various topics, such as neuroaesthetics, metaphors, cognition and imagination. NewHums aimed at defining possible and new approaches to the study of the literary text and the work of art, process involving both humanities and science. The present Dialogue focuses on the analysis of multiple parameters in the aesthetic perception of a work of art, for instance, its subjective and objective qualities and the concept of beauty as primordial element in the relationship between mankind and artistic creation. In this frame, corporeity can be seen as a bridge between internal world and external output, human being and art, questioning the dynamics between the percipient subject and the perceived object. The interconnected response is the starting point of embodied cognition, id est, the epistemological foundation of the deep interweaving between humanities and cognitive sciences.
Knowledge is thought to be an embodied reality, strictly bound to mind and body simultaneously and the embodiment is the existential condition of the subject, as implication. The physiological and biological nature of the human body is then the premise for every form of subjectivity, consciousness, thought, expression, social interaction, time and aesthetic experience. The artistic product is the point of confluence of the human mind and the external world, body and beauty represent the Cartesian axes by means of which, the aesthetic experience moves.
NeuroHumanities Lecture at University of Parma
The NeuroHumanities Studies Directors, Grazia Pulvirenti and Renata Gambino, will held a Lecture to present their new book about Neurohermeneutics at the University of Parma (Italy) on Thuesday 16th October 2018 at 11 a.m.
Students, phd students and researchers are cordially invited. The lecture is also open to everyone interested.
CFP: INSTITUT DU MONDE ANGLOPHONE – JUNE 22-23, 2018 – SORBONNE NOUVELLE UNIVERSITY, PARIS
Inhabiting immersive territories: neuroscientific and ecological perspectives on literature, videogames and the arts in the Anthropocene
While our natural habitat is being degraded by our inability to develop sustainable lifestyles on a planetary scale, arts create immersive environments, opening up new modes of inhabitation. Videogames, literature, cinema, theater, and visual arts design territories, inviting us to explore and to wander, to roam and to contemplate; unproductive activities that disrupt the cycles of neoliberalism and counter the cognitive styles it promotes.
These embodied activities are made possible by the reader/player/spectator’s capacity to immerse herself in texts, by her ability to enter altered states of consciousness. These states of consciousness allow us to dwell in secondary worlds, in which we can spend a significant part of our time and physiological resources, a significant part of our life. What can neuroscience, ecology and the humanities teach us about these states of consciousness, these modes of attention that modulate our encounter with artistic creations and their designed universes? And how do artists build these universes? How do they become a habitat for the “symbolic species” (to use Terrence Deacon’s words)? Can our daily frequentation of these territories change the way we relate to our geophysical, planetary environment?
It is around an intervention by neuroscientist Semir Zeki (University College of London) that we will engage with these questions. This conference is part of the Annual Neurohumanities Meetings held at Sorbonne Nouvelle since 2013, and is organized by the [Science/Literature] research group, EA 4398 PRISMES: https://litorg.hypotheses.org.
For more information please follow the link below:
https://immersions.hypotheses.org/
250 words abstracts accompanied by a biographical note are to be sent before April 20, 2018, to pierre-louis.patoine@sorbonne-nouvelle.fr.
Notification of acceptance date: February 28, 2018
Scientific Committee
Alexa Weik von Mossner (Klagenfurt University)
Carl Therrien (University of Montreal)
Alexis Blanchet (Sorbonne Nouvelle)
Aude Leblond (Sorbonne Nouvelle)
Jonathan Hope (University of Quebec in Montreal)
Project
The Neuro Humanities Studies Network aims at creating a multidisciplinary research community in order to develop and structure a linking platform for neuro-scientific, cognitive topics and humanities.
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