The NeuroHumanities Studies Directors, Grazia Pulvirenti and Renata Gambino, will held a Lecture to present their new book about Neurohermeneutics at the University of Parma (Italy) on Thuesday 16th October 2018 at 11 a.m.
Students, phd students and researchers are cordially invited. The lecture is also open to everyone interested.
Inhabiting immersive territories: neuroscientific and ecological perspectives on literature, videogames and the arts in the Anthropocene
While our natural habitat is being degraded by our inability to develop sustainable lifestyles on a planetary scale, arts create immersive environments, opening up new modes of inhabitation. Videogames, literature, cinema, theater, and visual arts design territories, inviting us to explore and to wander, to roam and to contemplate; unproductive activities that disrupt the cycles of neoliberalism and counter the cognitive styles it promotes.
These embodied activities are made possible by the reader/player/spectator’s capacity to immerse herself in texts, by her ability to enter altered states of consciousness. These states of consciousness allow us to dwell in secondary worlds, in which we can spend a significant part of our time and physiological resources, a significant part of our life. What can neuroscience, ecology and the humanities teach us about these states of consciousness, these modes of attention that modulate our encounter with artistic creations and their designed universes? And how do artists build these universes? How do they become a habitat for the “symbolic species” (to use Terrence Deacon’s words)? Can our daily frequentation of these territories change the way we relate to our geophysical, planetary environment?
It is around an intervention by neuroscientist Semir Zeki (University College of London) that we will engage with these questions. This conference is part of the Annual Neurohumanities Meetings held at Sorbonne Nouvelle since 2013, and is organized by the [Science/Literature] research group, EA 4398 PRISMES: https://litorg.hypotheses.org.
For more information please follow the link below:
https://immersions.hypotheses.org/
250 words abstracts accompanied by a biographical note are to be sent before April 20, 2018, to pierre-louis.patoine@sorbonne-nouvelle.fr.
Notification of acceptance date: February 28, 2018
Scientific Committee
Alexa Weik von Mossner (Klagenfurt University)
Carl Therrien (University of Montreal)
Alexis Blanchet (Sorbonne Nouvelle)
Aude Leblond (Sorbonne Nouvelle)
Jonathan Hope (University of Quebec in Montreal)
EXTENDED DEADLINE: January 20, 2018.
The International Society for the Empirical Study of Literature (IGEL) invites submissions to the 2018 biennial conference across all areas of the empirical study of literature and media, including but not limited to, cognitive processing of literature, literature/media and culture, neuroscience and literature, literary reception, reading and emotion, historical study of literature, and corpus analysis of literature.
Submissions may be accepted either as spoken presentations (individual papers or parts of pre-organized symposia) or as poster presentations. The format of spoken presentations (whether paper or symposia) is 20 minutes + 10 minutes for discussion.
The review committee requires a summary of the presentation. The summary should be 600-800 words and contain a short introduction, a description of the methods as appropriate, and a brief conclusion. The committee will not accept papers or posters based on data that have yet to be collected. Acceptance decisions will be communicated to the authors by March 15, 2018.
Submission Online submission system
(click on the “Abstracts” tab)
Submitters must provide the following information for each submission (see online registration for details):
Submitters download/attach the above-mentioned summary, which should include a title and be no longer than 600-800 words (not including bibliography). Please do NOT include author information in the summary.
It should contain a short theoretical introduction/framework, methodological overview (including quantitative or qualitative approach), key findings, and a brief discussion. The summary should be saved using a generic name (e.g. summary.pdf). Proposals that exceed the specified length will not be reviewed.
Inquiries about the submission process or the conference should be sent to lesesenteret@uis.no (please put “IGEL” in the subject line).
Outstanding Student Paper Award
IGEL will give an Outstanding Student Paper Award. In order to be considered for this award, the first author must be a graduate student, and the student’s supervisor must send a recommendation to lesesenteret@uis.no describing the student’s contribution to the research project. First authors should indicate the eligibility of their submission using the provided checkbox during the submission process.
Please check http://igel2018.no/ regularly and join us on Facebook for updates.
EXTENDED DEADLINE: January 20, 2018.
Additional Information
The official website of IGEL: http://www.igel.uni-goettingen.de/
The IGEL 2018 conference website: http://igel2018.no/
We look forward to seeing you in Stavanger for the 2018 IGEL conference!
The University of Verona is going to open a call for applications for 14 PhD positions within the EU-funded project INVITE.
We kindly ask you to promote this initiative on you website or by your own communication channels (social networks, newsletter).
The INVITE call for applications officially opens on 15 January 2018 and closes on 16 April 2018 at 2 p.m.
INVITE is a doctoral programme of the University of Verona with a strong inter-sectoral, inter-disciplinary and international dimension. It is co-financed by the European Union within the Horizon 2020 Programme under the Marie Skłodowska-Curie grant agreement No 754345 and by the Regione del Veneto.
The 14 available positions allow to perform competitive high quality scientific research in the following area: from Arts and Humanities to Legal and Economic Sciences, from Health and Life Sciences to Natural and Engineering Sciences.
In particular we would like to draw your attentions to the following research area: The experience of the Other: the stranger, the foreigner, the different, the outsider, the unknown within the Phd programme in Foreign Literatures, Languages and Linguistics.
More information on the INVITE website: http://sites.centri.univr.it/invite/the-call/research-areas/experience-stranger/
The INVITE doctoral programme aims to encourage each student’s intellectual curiosity and support the acquisition of critical thinking skills by training them in the use of innovative theoretical tools and practical methods.
INVITE is open to early-stage researchers of any age and nationality and from any country. Few restrictions apply to candidates:
On the Press room page (http://sites.centri.univr.it/invite/press-room/) you will find some pictures and a short presentation you can use to promote the call for applications.
For further information about the call you can visit the INVITE website (http://www.univr.it/invite) or you can contact us by email (invite@ateneo.univr.it), or download this file INVITE PhD Position information file.
Il 24 novembre avremo il piacere di ospitare una lezione di Amy Cook, professoressa di inglese, discipline teatrali e specializzata in Shakespeare e early modern drama, direttore del dipartimento di “Theatre Arts” presso la Stony Brook University di New York. Si parlerà di emozioni, empatia, teatro e Shakespeare. Ci vediamo venerdì 24 novembre, ore 11, aula 252 del Monastero dei Benedettini. Non mancate!!!
***
Amy Cook is professor in English and Theatre Arts and Graduate Director in the Department of Theatre Arts. She specializes in the intersection of cognitive science and theories of performance and early modern drama.
On Novembre 24 she will be at the Benedectine Monastery of Catania to held a lesson on “Rethinking Emotions and Empathy in the Theatre”.
11.00, November 24th, Room 252.
Don’t miss it!!
The Interview with E-READ action members Prof. Dr. Anne MANGEN and Prof. Dr. Arthur JACOBS. Interviewer – Dr. Daiva Janavičiene, member of E-READ COST action, Chief Methodologist at Martynas Mažvydas National Library of Lithuania.
Stavanger, 3th – 5th October 2018
How does digitisation change the ways we read? What do we currently know about the differences between reading on paper and reading on screens? The current wholesale adoption of digital screens – in educational as well as leisure settings – is profoundly affecting our reading habits. Since November 2014, researchers from a wide variety of disciplines all over Europe have come together, in the framework of the COST Action E-READ (http://ereadcost.eu/), to pursue such questions and to begin mapping the effects of digitisation on reading. On October 3-5, they meet at The University of Stavanger for a showcase conference to present some of the findings and to discuss implications of digitisation for stakeholders such as the educational field, policy makers, and publishers. Invited speaker at the conference is Maryanne Wolf, internationally renowned researcher and author of Proust and the Squid: the story and science of the reading brain.
Follow the news at http://ereadcost.eu/Stavanger2018/
CALL FOR PAPERS, PRESENTATIONS & PERFORMANCES
WORLDING THE BRAIN II
Affect, Care, Engagement
Interdisciplinary conference at the University of Amsterdam
November 2-4, 2017
Submission deadline July 1, 2017
Keynote speakers:
Prof. Vittorio Gallese (University of Parma)
Prof. Felicity Callard (Durham University)
Prof. Alva Noë (University of California, Berkeley)
Following the success of Worlding the Brain 2016, we continue this series of multi-disciplinary encounters of science, art and the humanities with an international conference on the themes of Affect, Care and Engagement in November 2017 in Amsterdam. This event is intended to explore the ‘worlding’ of the brain, i.e. the mutual influence of the extra-cerebral world on the brain and the brain on the world. Such ‘worldings’ occur when we place the brain in worldly contexts, study its interaction with various environments and reflect upon its entanglements with cultural practices and processes. Based on a recognition of the ‘neuro-turn’ in various disciplines, we aim to extend and deepen the dialogue between the different fields of knowledge in art, humanities and science that investigate and perform such interactions.
The themes of affect, care and engagement indicate that the bidirectional interaction between world and brain is never neutral but always mediated by concerns, interests and emotions in different ways. With ‘affect’ we think of both the current political and cultural climate (of anger, fear, resentment and hope) and the prevalence of medical and psychological conditions such as depression and anxiety disorders in society today. With ‘care’ we want to address the caring for the self and others in our daily lives and health care, taking into account the underlying socio-political imperatives of self-fashioning and well-being. With ‘engagement’ we aim to explore both the interconnections between brain, body and our sensory environment and the socio-political implications of these relations for personal and collective agency today.
The socio-political, psychological, medical, cultural and discursive dimensions of these topics require an integration of artistic, humanist and cognitive neuroscientific perspectives. With these explorations, this conference intends to foster reflection on the challenges and opportunities for the ‘worlding the brain’ perspective in the current political, social, epistemic situation.
Besides our keynote addresses we will host multi-disciplinary panels and invite artists, (cognitive) neuroscientists, health workers and humanities scholars of all kinds to engage in paper presentations, dialogues, performances and artistic work. Our aim is to meet and learn from our different perspectives on the complexity of our embodied, enworlded and affective brains, and start new collaborations. We will convene in the CREA building of the University of Amsterdam and, on the second evening of the conference, for a special evening program at the Stedelijk Museum, Amsterdam.
Presentations can address (but are not limited to) the following topics:
- Emotions (fear, joy, sadness) in neuroscience, film, literature, art and psychiatry
- Affective imaginations and simulations
- Intersubjectivity and synchronicity
- Empathy and attunement
- Neuroaesthetics and/of empathy
- Philosophy and neuroscience of emotions
- Art and care of the self/the other, affective labor
- Mirror neurons, theory of mind and intersubjective care
- The (a)political state of mind
- Environmental and cognitive interactions
- Impacts of cognitive and neuro-enhancement technologies
We invite proposals for 15 minute presentations, allowing after each presentation a 15 minute discussion. We encourage interdisciplinary co-presentations or pre-constituted interdisciplinary panels. Next to more traditional papers, we encourage other formats for presenting and performing, such as workshops, posters, or open stage meetings; please describe the type of intervention you propose. When submitting a proposal, please include a title; an abstract of ca. 250 words; a short bio (150 words) and a short bibliography that includes three publications that are relevant for your topic. Please send your proposal to worldingthebrain2017@gmail.
com .For the latest news on Worlding the Brain 2017 see: www.worldingthebrain2017.
com Deadline for proposals: 1 July 2017
Notifications by: 15 July 2017
Conference fee: 150 Euros (fee waivers available to students and artists),
to be paid before 1 August 2017
Information on the keynote speakers:Vittorio Gallese is Professor of Physiology at the University of Parma with appointments in the departments of neuroscience, psychiatry and psychology. His research investigates the brain mechanisms underlying social cognition, in particular empathy and its role in aesthetic experience. Gallese is one of the discoverers of mirror neurons and remains a main contributor to research on this key finding in cognitive neuroscience and to the interpretation of its implications in a variety of domains and disciplines, for example in his recent book, The Birth of Intersubjectivity: Psychodynamics, Neurobiology, and the Self (with Massimo Ammaniti, W.W. Norton, 2014). Professor Gallese also holds an appointment as professor in Experimental Aesthetics at the University of London, where he is researching the neural basis of aesthetic experience.
Felicity Callard is Professor in Social Science for Medical Humanities at Durham University, UK. Her research sits at the intersection of the social sciences and the humanities and specifically addresses twentieth- and twenty-first century psychiatry, psychology, psychoanalysis and cognitive neuroscience. She has a strong interest in practices, epistemologies and histories of interdisciplinarity, as manifested in her co-authored, Open Access book, Rethinking Interdisciplinarity across the Social Sciences and Neurosciences (Palgrave, 2015). From October 2014 to December 2016, Callard was Director of Hubbub – the first interdisciplinary residency of the Hub at Wellcome Collection – where she led a team of scientists, artists, humanists, clinicians, public health experts and public engagement professionals, who explored states of rest and its opposites in mental health, cognitive neuroscience, the arts and the everyday.
Alva Noë is Professor of Philosophy at the University of California, Berkeley, where he is also a member of the Institute for Cognitive and Brain Sciences and the Center for New Media. He works on the nature of mind and human experience, insisting on the embodied nature of cognition and the enactive nature of interactions between body, mind and world. He is the author of Action in Perception (MIT Press, 2004), Out of Our Heads (Farrar Straus and Giroux, 2009), Varieties of Presence (Harvard University Press, 2012), and Strange Tools (Farrar, Straus and Giroux, 2015). He has been philosopher-in-residence with The Forsythe Company and has also collaborated with a number of dance artists. Alva Noë is a 2012 recipient of a Guggenheim fellowship and a former fellow of the Wissenschaftskolleg zu Berlin. He is a weekly contributor to National Public Radio’s science blog 13.7: Cosmos and Culture.
This conference is organized by the ASCA research group Neuroaesthetics and Neurocultures at the University of Amsterdam. This conference is made possible by grants from and collaboration with: Amsterdam School of Cultural Analysis (ASCA), the Amsterdam Centre for Globalization Studies (ACGS), Amsterdam Brain and Cognition (ABC), the Netherlands School for Cultural Analysis (NICA) and the Cutting Edge Research fund by the University of Amsterdam
Conference theme design: Anton Weflo and Johanna Ehde
Non sappiamo perché e come l’Homo sapiens abbia sviluppato la capacità di costruire storie. Possiamo però ipotizzare come possono essere andate le cose. Cioè come un ominide possa avere sviluppato la facoltà di narrare storie e come queste possano averlo avvantaggiato tra tutte le specie, fino a farne l’indiscusso signore del pianeta. Si tratta dunque di studiare la narrazione, la fiction e la letteratura nel contesto della teoria dell’evoluzione e delle scienze cognitive, prendendo le mosse da recenti acquisizioni dell’archeologia cognitiva che mettono in relazione la produzione di utensili e lo sviluppo di capacità narrative. Si comprende così che la narrazione ha un ruolo decisivo nella costituzione del Sé e delle sue protesi esterne, come da tempo sostengono i teorici della mente estesa e della cognizione incarnata
Michele Cometa insegna Storia comparata delle culture e Cultura visuale nell’Università degli Studi di Palermo. Nelle nostre edizioni ha pubblicato La scrittura delle immagini (2012).
NewHums Research Centre – Neurocognitive and Humanities Studies
International NeuroHumanities Studies Network
Lamberto Puggelli Foundation
University of Catania
Fourth NeuroHumanities Dialogue
Space and Time in the Brain
29 – 30 May 2017
CATANIA – Italy
Following the three NeuroHumanities Dialogues focused on “Neuroaesthetics and Cognitive Poetics” (2014), “Metaphors as source of creative thought” (2015) and “Ars et Ingenium: The Processes of Imagination” (2016), the NewHums Research Centre of the University of Catania is pleased to announce the Fourth Dialogue between neuroscientists and humanists.
The event will take place at the Benedictine Monastery in Catania. The topic of the 2017 Dialogue is: Space and Time in the Brain
Keynote speakers are (in alphabetic order):
Arthur M. Jacobs, Professor of Experimental and Neurocognitive Psychology at the Freie Universität Berlin
Patrick Colm Hogan, Professor of English at the University of Connecticut
Raoul Schrott, Austrian poet, writer and literary critic
Semir Zeki, Professor of Neuroaesthetics at the University College London
Agata Copani, Professor of Farmacology at the University of Catania
Daniela Giordano, Professor of Information-Processing Systems at the University of Catania
Vincenzo Branchina, Professor of Theoretical Physics at the University of Catania
The peculiarity of the meeting relies on its format: a real dialogue between scientists and humanities scholars with plenty of time for discussion and a final roundtable with respondents.
Main focus of this year Dialogue is the investigation of the perception system and cognitive system analysis of Space and Time in the Brain. The way in which we approach to literary texts, work of arts and everything which is shaped and created by our mind involves different mental activities. These also include the elaboration of two great mysteries of human perception: the space, which surrounds us but also includes us, and the time which accompanies us during the act of fruition. Since ancient times philosophers and scientists have been tried to grasp and define space and time, because they are among the basic vital relations of the human being. They build up the framework of our perception, experience and cognition. Their representation can be traced back in the old myths about the origin of mankind, like the Greek personification of time, the God Cronus, and the concept of Kairos intended as the supreme moment.
Epistemology and ontology of space and time and their representation in human cognition have been the focus of attention in both scientific research as well as in philosophy, aesthetics and literature. The ongoing research regards the underlying neural correlates of temporal and spatial processing, the interrelation between processes and representations of time and space, the disturbs in time and space perception, the combination of space and time into an interwoven continuum by applying mathematical models, the developments of Einstein’s theory of relativity, and many further issues related with the spatio-temporal cognition. As in case of the most complex and fascinating features of the human mind-brain, many questions are still unanswered and require a trans-disciplinary approach in order to gain new insights.
During the new NHS Dialogue we intend to approach to the mysteries of Space and Time from the perspectives of disciplines like neuroaesthetics, neurocritics of art, neurophenomenology, neuropsychology, cognitive linguistics, and literary studies.
Further information can be found at the conference website:
